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Published in 1739, Johann Sebastian Bach’s (1685-1750) Dritter Teil der Clavierübung (Third Part of the Keyboard Practice) is one of the most profound monuments of organ literature.
Conceived as a theological and musical summa, this cycle of chorale preludes framed by a majestic Prelude and Fugue reflects Bach’s deep Lutheran faith and his consummate mastery of counterpoint.
Intended “for amateurs and especially for connoisseurs… for the recreation of the spirit,” it invites us into a world where intellect and devotion meet in perfect harmony.