SCARLATTI: Cantatas

Cencic, Max Emanuel, Zylberajch, Aline

C 67173

"But even so the listener's Attention of the listener is strongly drawn to the instrumental Instrumental level, as he must unexpectedly get used to the to hear a fortepiano instead of the usual harpsichord But the resulting confusion gives way at the latest in the Confusion gives way at the latest with the rage aria "Sol ti rammenta, o cara" the resulting confusion gives way to a lasting fascination and tasteful accompaniment by Maya Amrein on the violoncello by Maya Amrein on the cello and Yasunori Imamura on the theorbo the theorbo would be carrying owls to ashes it remains astonishing how evenly Cencic's voice can be heard Cencic's voice responds evenly in almost all registers the indispensable prerequisite for a performance with taste and without With taste and without eccentricity, which is given to only a few few countertenors are given." • Reinmar Emans in FonoForum 02/07

Works:

•Scarlatti, D: Con qual cor mi chiedi pace?
•Scarlatti, D: Fille, gia piu non parlo
•Scarlatti, D: Il ricorda, o bella Irene
•Scarlatti, D: Keyboard Sonata K77 in D minor
•Scarlatti, D: Keyboard Sonata K215 in E major
•Scarlatti, D: Keyboard Sonata K277 in D major
•Scarlatti, D: No non fuggire
•Scarlatti, D: Qual pensier, quale ardire

CD x 1

Capriccio

11.05.2006

4006408671732