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Piazzolla: 4 Seasons of Buenos Aires
Recognisable throughout the world and marked by an unmistakable authenticity, Astor Piazzolla’s musical language has achieved a truly universal resonance.
Following on from Carlos Gardel, the Argentine bandoneonist and composer reinvented the tango in the 1950s, giving it a new aesthetic identity. Such was its force that it ultimately moved beyond the dance itself and became the foundation of all Piazzola's musical creation. His style requires a kind of initiation: it is shaped by an improbable meeting between European art music and a popular art born in the barrios of Buenos Aires.
By embracing it, Xavier Phillips and Les Solistes de Lausanne are cultivating a passionate relationship with this music, which breathes the soul of that city, poised between melancholy and exaltation.
Works:
•Piazzólla: The Four Seasons of Buenos Aires (Arr. for Cello and String Ensemble by Olivier Calmel)
•Piazzólla: Concerto for Bandoneón and Orchestra "Aconcagua" (Arr. for Cello and String Ensemble by Olivier Calmel)
•Piazzólla: Oblivion (Arr. for Cello and String Ensemble by Olivier Calmel)
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