Per la viola bastarda

Bassani, Orazio, De Cabezon, Antonio, Ganassi, Sylvestro, Lassus, Roland de, Luzzaschi, Luzzasco, Ortiz, Diego, Papasergio, Manon, Rogniono, Richardo, Rognoni, Francesco, różni kompozytorzy, Virgiliano, Aurelio, Willaert, Adrien

Mauillon, Angélique, Moulin, Yoann, Niclas, Clémence, Papasergio, Manon

RIC 480

The viola bastarda is much more than just a specific instrument: it is also a technique for playing the viola da gamba that involves developing a vast skill in ornamentation over the entire range of the instrument and covering all the tessituras from bass to soprano. Today’s performers are faced with a repertoire compiled by a few virtuosos, while at the same time they have to reconstitute a performing practice that exists only in a few historical treatises. Manon Papasergio has devoted her first recording to this art form and its development during the exciting transitional period from the Renaissance to the Baroque.

Works:

• Sylvestro Ganassi: Recerchar secondo
•Ortiz, D: Recercada Tercera sobre O felici occhi miei
•Ortiz, D: Recercada Ottava sobre tenore La Gamba
•Cabezón, A: Qui la dira
•Cabezón, A: Anchor que col partire
•Richardo Rogniono: Ancor che col patire
•Bassani, O: Toccata
•Bassani, O: Nasce la gioia mia
•Willaert: Qui la dira la peine de mon coeur, IAW 60
•Bassani, O: Cara la vita mia
•Luzzaschi: Fantasia a quattro sopra Ave Maris Stella
•Luzzaschi: Ch'io no t'ami cor moi
•Virgiliano: Nasce la pena mia
•Manon Papasergio: Partite sopra la Bergamasca
•Rognoni: Pulchra es amica mea
•Lassus: Susanne un jour, LV 98
•Bassani, O: Susanna un giorno
•Manon Papasergio: Partite sopra La Monica

CD x 1

Ricercar

3.12.2025

5400439004801