BACH CPE: Sonatas For Harpsichord

Guglielmo, Federico, Loreggian, Roberto

94902

Nakład wyprzedany, ostatni egzemplarz C. P. E. Bach's six sonatas for harpsichord and violin on period instruments historical instruments - The harpsichord takes a leading role in C. P. E. Bach's oeuvre the harpsichord occupies a prominent position. For "his" Instrument he wrote a large number of compositions. Apart from the flute, perhaps, other solo instruments played an important role in his oeuvre, other solo instruments played only a subordinate role in his work subordinate role.

The duo-sonatas "for piano and violin" are among the few works that few works that Carl Philipp Emanuel Bach wrote for solo violin Violin. The well-known early music Roberto Loreggian and Federico Guglielmo have focused on those sonatas in this have concentrated on those sonatas that are probably more suitable for the harpsichord, which were probably written for the harpsichord rather than the for the harpsichord and not for the "new" fortepiano as an accompanying instrument were written: Wq 71-74, 76 and H 524.5. For the recording they used they used replicas of historical instruments: Gugliemo here plays here on a copy of the "Rabinof-Guadagnini"; Roberto Loreggian plays on a replica of the Ruckers- Harpsichord "Grand revalement".

The recordings were made in August 2013 at the Abbey of Santa Maria delle Carceri in Este, Italy. They were previously only available as part of the Carl Philipp Emanuel Edition.

Works:

• Bach, C P E: Sinfonia in D for keyboard (harpsichord) and violin, Wq. 74 (H507)
• Bach, C P E: Sonata in D VW71
• Bach, C P E: Violin Sonata in B minor, Wq. 76
• Bach, C P E: Violin Sonata in C major, Wq. 73/149 (H504)
• Bach, C P E: Violin Sonata in D minor, Wq. 72 (H503)
• Bach, C P E: Violin Sonata in G minor (BWV 1020), (H542.5)

CD x 1

Brilliant Classics

11.04.14

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