Clavis et Chorda

Dal Maso, Vania

CDS 8079

Performer and scholar Vania Dal Maso has constructed an innovative programme exploring music for stringed keyboard instruments from the fourteenth and fifteenth centuries. Based on the study and interpretation of sources, both on the instruments’ construction and musical interpretation, she explores the profoundly different sounds and tone-colours of the clavichord, hammered clavicymbalum and clavicytherium. The music ranges widely in forms and genres from across Europe, including music sourced from the oldest-known manuscript for keyboard instruments – the Robertsbridge Codex (c. 1320) – to create the widest possible stylistic panorama of keyboard music of the time.

Works:

•Paumann: Redeuntes In Re
•anon.: Retrové
•anon.: Bel fiore danca
•anon.: Stüblin etc.
•anon.: Mi ut re ut e c d c: Aliud Mi ut re ut E c d c
•anon.: C[on] l[agreme] (After J. Ciconia)
•Paumann: Con lacrime M.C.C. (After J. Ciconia)
•anon.: [Un fior(e) gentil m'apparse] (After A.Z. da Teramo)
•anon.: Che pena questa (After F. Landini)
•anon.: O ciecho mondo (After J. da Bologna)
•anon.: La dolçe sere (After B. da Padova)
•anon.: Non na el so amante (After J. da Bologna)
•Ileborgh: Mensura duorum notarum eiusdem tenoris
•anon.: Preambulum super g
•anon.: Incipit bo(nus tenor) Leohardi
•anon.: Praeambulum super fa
•anon.: Paumgartner
•anon.: Praeambulum super re
•anon.: Mit ganczem Willen wünsch ich dir
•anon.: En avois
•anon.: Annabasanna 3m
•anon.: Ellend du hast
•anon.: J'ay pris amours
•anon.: Dulongesux (After G. Binchois)
•Ileborgh: Praeambulum super d a f et g
•anon.: Adyen matres belle (After G. Binchois)

CD x 1

Dynamic

3.12.2025

8007144080792