Bach (Pergolesi): Tilge, Höchster, meine Sünden; Fauré / Messager: Messe des pêcheurs de Villerville

Mädchenchor Hannover, Schröfel, Gudrun

ROP 6119

When two composers work on a piece, the extraordinary is bound to result - this was the case with the "Messe des pêcheur de Villerville", which Gabriel Fauré wrote together with his student André Messager, as well as with Bach's rendition of Pergolesi's Stabat Mater. Johann Sebastian Bach never visited Italy, but he had a profound musical interest for the Mediterranean country, performed the works of Palestrina and rearranged concertos by Vivaldi. Bach studed the Stabat Mater by Giovanni Battista Pergolesi from a hand-written copy. He liked it so much that he spent considerable time on it: Not only did he replace the Latin words with a German adaption of the 51 Psalm and tailored the music to fit the new text, but he also made several other changes. He replaced movements, changed their structure, enhanced the autonomy of individual parts and skillfully recomposed entire sections. Nevertheless, he paid his Italian colleague a great deal of respect and left the character of the piece unchanged. Therefore, Bach's Tilge, Höchster, meine Sünden" is as totally Bach as it is Pergolesi. With the “Messe des pêcheur de Villerville” the Mädchenchor Hannover, directed by Gudrun Schröfel, embarks on a journey to the France of late Romantici . • The Hannover Allgemeine Zeitung called the girls’ choir’s performance “a feast for the ears!”

CD x 1

Rondeau Production

26.10.2016

4037408061193