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Gloses
“Glosas, diminutions, passaggi…”: so many terms to describe the garlands of ornamentation that keyboard musicians added to the polyphonic vocal works of their peers as they transformed them into true keyboard pieces between the 16th century and the dawn of the 17th.
This album offers an extensive array of these intabulations of vocal works and shows their pan-European scope by illustrating how keyboard players appropriated the music of madrigalists from distant courts.
Works:
•Pasquini, E: Ancor che col partire (After Cipriano de Rore)
•Frescobaldi: Passagiato "Ancidetimi Pur", F 3.12 (After Jacques Arcadelt)
•Macque: Ricercar del Quarto Tono
•Hove, J: Bouche de Coral precieux (After Jan Pieterszoon Sweelinck) [Arr. for Harpsichord by Lucie Chabard]
•Scheidemann: Mio cor se vera sei salamandra (After Felice Anerio)
•Duncan Burnett: Sussana (After Orlando di Lasso)
•Randall, W: Galliard "Can She Excuse My Wrongs" (After John Dowland)
•Philips, P: Chi fara fede al Cielo (After Alessandro Striggio)
•Pierre Chabanceau de la Barre: Tu crois, ô beau soleil (After Louis XIII) [Reconstructed by Lucie Chabard]
•Champion, J: Fantaisie “de Chappel”
•Cabezón, A: Canción glosada “Ayme qui vouldra” (After Nicolas Gombert)
•Arauxo: Tiento de medio registro de tiple de decimo tono, FO 36
•Cabezón, H: Dulce memoriae glosada (After Pierre Sandrin)
•Narvaez: Mille regres. La canción del Emperador (After Josquin Desprez) [Arr. for Harpsichord by Lucie Chabard]
71,10 PLN Introduktionspris: 71,10 PLN
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