Roberta Invernizzi: Handel in Italy - arie z kantat włoskich

Bonizzoni, Fabio;
Invernizzi, Roberta;
La Risonanza

GCD P10002

In May 1707 George Frideric Handel entered into the service of the Marquis Francesco Maria Ruspoli, and under his protection, embarked upon a tremendous career. As well as making a name for himself as a spectacular virtuoso on the harpsichord and organ, through his plentiful concerts in the Roman academies, Handel lost no time in also becoming a highly sought-after composer through his felicitous and apparently inexhaustible inspiration. In addition to a significant number of cantatas for solo voice and basso continuo, Handel also involved himself in composing cantatas for larger numbers of voices, combining these with a large supporting orchestral group. The score of Clori, Tirsi e Fileno is certainly a complex one, as much for its dramatic plotline as for its individually-chosen musical options: the result is a genuine opera in miniature, equipped with real refinement and lightness. Consequently, Clori, Tirsi e Fileno turns - even more so than with other Italian cantata works by the caro Sassone - into an authentic laboratory in which Handel experiments with the most diverse musical and dramatic forms, obtaining by this method a capacity to elaborate that special language which was to locate it firmly within the glories of the theatre, from the past and the present.

Works:
• Handel: Agrippina condotta a morire, HWV 110
• Handel: Apollo e Dafne, HWV 122
• Handel: Clori,Tirsi e Fileno (Cor fedele, in vano speri) HWV96
• Handel: Diana Cacciatrice HWV 79
• Handel: Figlio d'alte speranze, HWV 113
• Handel: Il delirio amoroso, HWV 99
• Handel: Olinto, pastore arcade (Oh! Come chiare e belle) HWV 143
• Handel: Pensieri notturni di Filli (Nel dolce dell'oblio), HWV 134
• Handel: Tra le fiamme, HWV170

CD x 2

Muzyka klasyczna

Glossa

25-05-2011

8424562100022