From the late middle ages to the twentieth century, relive the fascinating history of the Mass, the most ambitious genre in the Catholic sacred repertory. Since the earliest polyphonic Masses dating from the time of Guillaume de Machaut, the form has appeared in a bewildering variety of guises! From the contrapuntal summits of the Renaissance to the great solemn Masses of Bach, Mozart and Beethoven, from romantic renewal to contemporary disillusion: the artists of harmonia mundi invite you to discover generous excerpts from the Masses that have made history! • (msza h-moll )
Works:
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Nativité de la Vierge Marie: Introït "Salve sancta parens" Plain-chant
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Messe de Nostre Dame, mass for 4 voices: Kyrie
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Missa "O crux lignum triumphale", for 4 voices: Gloria
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Missa "Et Ecce Terrae Motus," for 12 voices: Credo
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Missa "Pange Lingua", for 4 parts: Sanctus
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Missa super "La bataille": Agnus Dei
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Requiem, for 6 voices: Kyrie
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Missa Praeter Rerum Seriem: Gloria
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Missa Viri Galilaei,for 6 voices: Credo
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Mass for 24 voices: Sanctus-Benedictus (Version 2: 3 voix chantées et 21 parties instrumentales)
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Mass de Cappella for 6 voices on Gomberti's motet "In Illo Tempore" (from Vespers), SV 205: Agnus Dei
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Assumpta est Maria, mass for 6 voices, chorus, orchestra & continuo, H. 11: Symphonie & Kyrie 1 (2 sopranos, basse, ch?ur et orchestre)
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Mass in B minor, for soloists, chorus & orchestra, BWV 232 (BC E1): Gloria in excelsis Deo
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Mass in B minor, for soloists, chorus & orchestra, BWV 232 (BC E1): Et in terra pax hominibus bonae voluntatis
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Mass in B minor, for soloists, chorus & orchestra, BWV 232 (BC E1): Laudamus te
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Mass in B minor, for soloists, chorus & orchestra, BWV 232 (BC E1): Gratias agimus tibi
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Mass in B minor, for soloists, chorus & orchestra, BWV 232 (BC E1): Domine Deus
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Mass in B minor, for soloists, chorus & orchestra, BWV 232 (BC E1): Qui tollis peccata mundi
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Mass in B minor, for soloists, chorus & orchestra, BWV 232 (BC E1): Qui sedes ad dexteram patris
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Mass in B minor, for soloists, chorus & orchestra, BWV 232 (BC E1): Quoniam tu solus sanctus
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Mass in B minor, for soloists, chorus & orchestra, BWV 232 (BC E1): Cum Sancto Spiritu
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Mass No. 17 for soloists, chorus & orchestra in C minor (fragment, "Great Mass"), K. 427 (K. 417a): Credo
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Mass No. 17 for soloists, chorus & orchestra in C minor (fragment, "Great Mass"), K. 427 (K. 417a): Et incarnatus est
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Mass No. 17 for soloists, chorus & orchestra in C minor (fragment, "Great Mass"), K. 427 (K. 417a): Sanctus
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Mass No. 17 for soloists, chorus & orchestra in C minor (fragment, "Great Mass"), K. 427 (K. 417a): Benedictus
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Mass for soloists, chorus & orchestra in D major ("Missa Solemnis"), Op. 123: Agnus Dei
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Die Deutsche Liturgie, for double chorus, MWV B57
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Mass for soloists, chorus, orchestra & organ in A flat major (Missa Solemnis), D. 678: Kyrie
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Petite messe solennelle, for soloists, chorus, 2 pianos & harmonium: Gloria. Gloria in excelsis Deo
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Petite messe solennelle, for soloists, chorus, 2 pianos & harmonium: Gloria. Laudamus te
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Petite messe solennelle, for soloists, chorus, 2 pianos & harmonium: Gloria. Gratias
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Petite messe solennelle, for soloists, chorus, 2 pianos & harmonium: Gloria. Domine Deus
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Petite messe solennelle, for soloists, chorus, 2 pianos & harmonium: Gloria. Qui tollis
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Petite messe solennelle, for soloists, chorus, 2 pianos & harmonium: Gloria. Quoniam
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Petite messe solennelle, for soloists, chorus, 2 pianos & harmonium: Gloria. Cum Sancto Spiritu
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Messe ohne Gloria (Kronstorfer Mass), for chorus in D minor, WAB 146: Credo
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Messe des pêcheurs de Villerville, for solo voices, women's chorus, organ & violin or small orchestra (collab. Messagér): Sanctus
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Mass in G major for chorus, FP 89: Agnus Dei
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Mass, for double chorus: Agnus Dei
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Mass, theatre piece for singers, players & dancers: Credo